Year
2024
Publisher
Amsterdam University Press
Language
English
Pages
11
ISBN
978-9-04856-327-2
Last Update
04-Sep-2024
Keywords
Film Studies ; Communication Studies
Andrei Tarkovsky (1987) famously defined cinema as above all an art of time, enabling its spectators to experience time in novel ways – and its makers to “sculpt” it. Twenty years earlier, André Bazin had defined cinema as a photographic medium as “objectivity in time” or “change mummified” (1967, 15). But is it not equally, or even more fundamentally an art of space? Even before we have registered any sense of time, in front of a screen we are unavoidably “in another place.” In classic cinemagoing, we have traveled to a special place where this vision of a different world...
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